When NBC’s Heroes first premiered back in 2006, it was every geek and comic book lovers dream. A live action drama that told the story of individuals trying to find their place in the world, while coping with their new found powers. It also came out at a time where viewers were frustrated by all of the unanswered questions that were piling up on ABC’s LOST. Following a first season that kept us on the edge of our seats, somehow the show has become an unwatchable bag of hurt.

You can take your pick as to what led to the downturn of Heroes. Was it the writers strike which prompted a forced end to a promising second season? Perhaps it’s the inability to go all out with the special effects due to budget cuts. Maybe it’s all of the over powered and under utilized characters, or rotating cycle of storylines. Whatever the case may be, NBC was somehow convinced to renew the series for at least one more season. In hoping that their faith doesn’t result in disappointment, the following is 5 suggestions on how to save the series.
1. A new cast. End this season by tying up whatever loose ends may exist, and start completely fresh next go round. After three seasons of Claire’s daddy issues, Peter and Nathan’s sibling rivalry, and whether or not to trust Noah, it is apparent the writers do not know how to evolve the characters. They even managed to take a potentially awesome villain like Syler and turn him into a whiny bitch (yeah, I said it). Alright, maybe keep some characters, but significantly limit their roles. Sometimes it is best to swallow your pride, scrap your progress (or lack thereof), and start from scratch. Which leads us to the next suggestion…
2. Hire new writers. The show already seems to be headed in this direction, as producer/writer Jeff Loeb was let go early in the third season. Smart move, as Loeb recently managed to also ruin the characterization of the Incredible Hulk by regressing him from a World Conqueror back to a savage beast in the current run of Hulk comics. However, things haven’t gotten much better for Heroes since the layoff. Let’s continue the trend of dipping into the Marvel Comics creative pool. One writer I would suggest bringing on board is Chris Claremont, whom can claim responsibility for the popularity of the X-men in the late 80’s, early 90’s. Other suggestions for writers include Ed Brubaker, whom was successful in placing Bucky Barnes in Captain America’s shoes, or Mark Millar, whom wrote Marvel’s Civil War crossover, and also lent his creative genius to the Iron Man movie.
3. Keep it simple. From the very beginning, Heroes introduced a main cast too big to fit into each episode. There’s also the numerous side characters that seem to get introduced just to be forgotten about or quickly disposed of. The writers tried to create a show as complex as LOST, but with none of the mystery and intrigue. The majority of the characters are forcefully connected in some manner. Claire’s family tree alone makes up for about half of the cast. Sometimes simplicity is what makes a show great. A small, yet intriguing cast can help the storyline remain focused and not so convoluted. I say cut the cast number in half and realize that not everybody has to share the same DNA.
4. Stay consistent; continuity is everything. When it comes to Heroes thus far, one of two conclusions can be drawn: either the writers have short term memory, or they think we are idiots. It’s never a smart move to question your audiences intelligence. Quite a few plot points have been introduced, toyed with for a little while, then swept under the rug. Are we just supposed to forget about Peter’s Irish girlfriend that was left in an alternate reality? Or, how about Claire’s flying boyfriend that was never seen again after the second season? What ever happened to Nathan’s wife and children? The type of viewers that watch a show such as Heroes are not the type to be forgiving about continuity errors.
5. Stick to the script; everybody loves the underdog. There is one formula that is always a sure bet when it comes to writing about super heroes: the leading character(s) should be the underdog. The villain should overpower them, either in strength or intelligence. The odds will look insurmountable, until the hero proves he is worthy of the title, and outsmarts the opposition. Heroes on the other hand, has never quite presented a villain that posed much of a threat. Throughout the run, the main villainy focus has been centered around a faceless agency, with a lame boss at the helm. At the beginning of the third season, a group of prospective super powered villains were introduced, only to have been lost in obscurity (see #4). Some of the good guys, such as Peter and Hiro, were way over-powered and had to have their abilities neutralized just to balance things out. My suggestion is to start off the new season by introducing a menacing new villain or team of villains, and try not to let the fight be so one sided.
There you have it, 5 quick and basic suggestions on how to remove Heroes from the creative slump it is currently in. Better to go out like a roaring lion, than a sleeping lamb. Oh, and one last suggestion: give up on the whole played out painting the future concept! If I see one more person’s eyes turn white, I’m so burning my Ali Larter poster!
